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Water Works Poetry

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THE SOUND OF WRITING

r&all's literary voice

A person stands on a platform surrounded by glowing floating buildings in a futuristic cityscape.

The reader is free to define my voice in whatever manner suits.

I'm only beginning to come to terms with the fact I'm really not

a story-teller—at least as pr(e/o)scribed by commercial genres.


I'm grateful for the tides in my life that have pulled me

hither and yon. Passive perhaps—going with the flow—but it's

also about trusting the process. I will admit to occasionally

thrusting out a fin to deviate/detour/double-back.


Whatever dark design lies at the end, I am delighted by

the serendipity, synchronicity, and incongruity along the way.


What I write, in whatever form, is an attempt to interpret those

forces through a lens largely influenced by:

Douglas Adams, Wes Anderson, Atwood, Blue Oyster Cult,

Borges, Bradbury, Calvino, Coen Bros., Dick, Eco, Fezzik,

Findlay, Gibson, Kirk&Picard, Kroetsch, LeGuin, Markotić,

Marquez, Monty Python, Mouré, Ondaatje, Pratchett,

Ridley Scott, Tolkien, Van Herk, Vonnegut...and so it goes.

patricia's literary voice

Scrabble tiles spell out 'Fiercly Female' on a pink and white background.

i don’t think i ever consciously set out to write “feminist” poetry. i see myself more as an observer—watching, gathering, taking mental notes of what unfolds in front of me. but i don’t just witness; i question. i push at what i see and ask the harder questions: where is the justice? who holds agency? where is the space for the voices we don’t generally hear?


i write from a place of conviction—opinionated, yes, and weary of narratives shaped solely by those who came out on top. women’s voices have too often been diminished, softened, or erased altogether. we’ve been labeled witches, whores, subversives, lesbians, anything to undermine and dismiss us. 


i write of my incredible country, my stunning home province. i love the prairie sensibilities, the imagery of wide open spaces, lakes, rivers, and all who inhabit this gigantic and spectacular land.  


i am currently working on an anthology of my work entitled I Wish the World Was Kinder to Women.

patricia's poetry gallery

patricia's poetry gallery

patricia's poetry gallery

A glowing icy portal set in a snowy, rocky mountain under a stormy sky.

 Ice Castellum

 

There is a spot, 'mid barren hills,

Where winter howls, and driving rain;

But, if the dreary tempest chills,

There is a light that warms again.

Emily Bronte


From the towering, jagged spires, Rapunzel plunges

her hair, silver grey against the ontogenesis storm, icy heart

beating, raging against the grimm storyline and the retelling

of a tale she did not write, where love fights for victory against the gods.

The bailey door is open, curtain wall rammed aside by

steel blue crystal, its sharp edges knife a path to the speckled 

great beyond. There is no knight, no prince to hear the singing, 

she howls into the wind, scrambles down the ragged rocks.

To where can she escape, when Valhalla calls your name?

There is a spot, 'mid barren hills.


Queen Solstice descends upon the clouds, swirling, spinning, sparkling.

Her snowflake dancers join the celestial chorus, as the late vestige of light disappears. There is a spot ‘mid barren hills so we can repose, elude the frigid gales. The mist hovers and surrounds. There is no heat, no warming rays to

keep us sheltered in this vulnerable tabernacle of stone. 

Those capricious gods in tyranny, enamored with this treacherous world, can find no way to skew the ending of this fable. 

Repeal your mysterious demands. We will make our own amends. 

Atonement begets noble power, Xena. Do not weep.                            Take leave of this place, 

where winter howls and driving rain.

 

You do not fear the dragon’s head, deftly you steer your herskipalong the rock-strewn shore. There are no stars by which to navigate, they are mirrored in the snow. There are no guides from journeys past. The squall takes breathe away.

The siren’s voice stills, the lighthouse fire flickers, flashes, fades.

Yet, you sail on, a wing and a prayer, buoyed by a spirit which eschews the boundaries of courage. There is no defeat. No place for weary souls to quit.

Discard the male disguise, Elissa. The sea is under your command. You need not

hide behind the veil, legendary heroine. Discover heavenly worlds, beyond 

this frozen wasteland, you will succeed, but if the storm, but if the cold, 

but if the dreary tempest, chills.

  

Seek shelter now, fox wrapped you in her warmth. Take heed, she knows,

the way to go, resilient survivor of the snow. Swift, she moves. Extinct no more.

She leads you to her winter den, a shield from arctic air. Gather breath, let it fall

shallow. Succumb to sleep, with shadows deep. You are safe within her lair.

The curtains drawn against the sun, soon reveal the calming hinterland.

The shaman ritual weaves a spell, around the portal door, good fortune spreads its tattered robe, the seamstress mends her wares. Soteria climbs the temple stairs, salvation and victory crowned in laurel wreath; your legend was foretold. 

When breaks the dawn, rejoice for vernal equinox, Naw Ruz in celebration,

there is a light that warms again.


Patricia M Wourms © 2026  Poetry Form | Glosa

Photo Credit | PNG Tree


r&all's poetry gallery

patricia's poetry gallery

patricia's poetry gallery

A cat wearing a floral dress reading a book while sitting on a chair.

Augmented Ninth


I                looked up from the page of cabalistic knowledge &

                  stared at the catnip wilting on the sill.

Sometime in the last few moments, my interest in

                   ancient Felignosis evaporated.

Questions flooded my thoughts.

                   How did I come to this,

                              idling in warmth &

                              cozy in doll-clothes &

                              almost too fat to purr?

& paramount:

               What's become of Terrible Thomas

               Fellest Catastrophe of the Briar Hill Alleyways?

Mice shivered out of their skins when cornered

Slathering dogs chased me as I wound them,

          tightening the circle until they snapped at their tails in frustration.

My lightning paws would snatch at a swarm of flies &

           skewer double hors d'oeuvres on every claw

No tree too high to climb

No rooftop unreachable.

I              reimagined the late evenings when

I               sprawled on the warm tiles & purred as the moon arced over my realm.

I               followed the trails of satellites, meteors &

                                ufos as they knit trails of energy in the ink of night.

I               watched anviltops charge over the city &

I          felt my hackles stiffen not out of anger or fear but exhilaration &

I          wrote equations in the air with my tail.

On occasion a heated waul would pull me down from

            my reverie to couple in the shadows.

I           must have hundreds of scions all over the city;

            all the desperate queens who sought my lineage.

I           licked my lips remembering scores of playful mollies

            hungry for an all-night rough'n'tumble.


Returning my yellow gaze to the book, how

Curious the page speaks of reflection:

My octave spent,

each ending                                                                          unreachable

                      yet every other memory

                      comes flooding back in my

                      augmented ninth.























Randall Thomas  ©MMXXV

Photo Credit | CaptivArt U.K.

Poetry Gallery Flows On

Wyte | Randall


On the horizon

Albino bison

Just stares

Grim premonition

Earth in transition

No cares

Man’s indecision

Nature’s derision

Sun flares


Expectedly, glares

When caught unawares

Red light

Muffle the fanfares

We’ll all take the stairs

Full flight

Abandon ploughshares

Save your housewares

Flashlight


Under the moonlight

Everyone will fight

Tyson

All humans take flight

From one man’s insight

Dyson

I watched it last night

All this from the white

Bison













Poetry Form | Virelai


Photo Credit | The Omen  | The Sacred White Bison in Winter Snow

James Corwin Art
 

Tatanka Reborn | Patricia  


  Swirls of bless-ed snow

bristled fur aglow.

Bison,

you are here once more,

mighty beast of lore.

The sun

sings of your great birth,

from heaven to earth,

you’ve come.


Seven sacred rites

to lift, set aright.

Restore,

harmony and light,

prophecy ignite.

Adore,

face of beauty, might. 

Run free, friend, take flight,

soar.


Sioux Valley Nation,

cosmic sensation,

you’ve come.

Tatanka elation, 

re-generation.

The drum,

an exclamation!

Spirit confirmation.

Succumb.


Wrapped in cloak of white,

streaming, beaming light. 

Outrun,

you of breadth and height.

Warriors recite,

tales spun.

Let nations unite,

legacy burn bright,

Bison



Poetry Form | Virelai

                  Ticktalk | Randall


She did it again;  another Sicilian Defense—

                                                                                      I'm bored

She’s a one-trick pony; a circus clown—

                                                                                     hungry


She should be having babies instead of wasting everyone’s time—

                                                                                    Seggfej


That knight in 1994, it never happened—

                                                                                  a worm


I will not lose to you—

                                                                               You are














Poetry Form | Waltmarie 

Photo credit | Enrique Alonso/AFP  February 2001. 

                                   Mobula Sapiens | Randall


a gallery’s my fav’rite way

to learn what artists have to say

it seems like all their work is play


meandering last night, I found

a statuary quite profound

it turned my reason upside down

I couldn’t think of what to say


this creature looked me in the eye

evoking me to wonder why

her countenance evoked a sigh

and, mesmerized, began to sway


I saw her skim the ocean floor

and shudder at the kraken’s roar

when she emerged upon the shore

she stole those seamen’s hearts away


What made you leave your benthic home?

Perhaps to see the azure dome?

Inspired am I to write this poem

an ode to the womanta ray





Poetry Form | Zejel

Photo Credit |  Wangechi Mutu Artist |  "Mamaray"                               Sculpture in bronze.


The Lady Juliana | Patricia

  

Twas the way that they chiselled at our very soul,

we was locked in a gaol, for the theft of some coal.

Wee Mary tuned 11, and I was thirteen,

We’s loaded onto a barque, in numbers extreme.

Two hundred twenty-six, all sent for the breedin’

A new British colony, they ‘ave been needin’.

Left shores outside Whitby, seventeen-eighty-nine

One year less a day, that ship roiled upon the brine.

Harsh convicts they called us, but we’s women and girls,

the crew grumbled cruel words, was restated in whorls.

Those long days on the ocean, they take a great toll,

but me sisters and kindred, did keep me heart-whole.


‘Twas the way that they hammered at our broken hearts

they all taked what they wanted, they taked our best parts.

They called her a sea brothel, a ship full of whores,

heard tell when we landed on Australia’s south shores.

The men called us their wives, but that weren’t the truth,

while some loved, some did not, we had so little worth.

Had we survived by our wiles? Pray-no! We was raped.

On a ship such as this, ‘twas no way to escape.

The ship steward, John Nichol, and here I does quothe. 

Said “every man…took a wife…they nothing did loath.” 

Five of me sisters died, and yet life, it restarts,

seven babies to raise in these dark, foreign parts.


‘Twas the way that they moulded, transformed us from stone,

here in a false world, in a great land we don’t own. 

Our sentences over, records thrown out of the court,

We’s free from the terror, this horrific transport.

Missus Mary Wade, with her brains and her cunning, 

runned her own business, her success hardly stunning.

Once they left us behind, headed back on the sea,

off to China they travelled, to import more tea.

We will never forget our home and our past,

when into bitter graves, we’s eventually cast. 

Matriarchs of Australia, that’s how we are known

Our life stories can grow, from the seeds we have sown.

  

From this dubious, scurrilous voyage of gain

The Lady Juliana dismantles the shame.

It is men in the government chambers we scorn,

history pages as written must needs to be torn,

from the grasp of the victor, the colonists too,

to reveal, absolutely, what we know is true. 



Poetry Form | Chanso

Photo credit| Randall Thomas

 A Woman of Letters | Patricia


Poised and posed, wrapped in furred luxury, pearls

blank pages open to interpretation, the Learned Maid commences to write, 

leaving diaphanous calligraphy on slender parchment, in 10 languages. 

                     Fluent in 14. 

Subtle brushstrokes on canvas, portray best the eyes,

     confidence & defiance, equal measures. 


Passionate advocate for women’s education, she sits behind a screen.


Cloaked in curtained booth, clear of men’s peering eyes, she, a first at

lectures of higher education, intelligence her         

               light, this Star of Utrecht. 

 Radical wandering Labadist, lamenting the lack of spiritual devotion 

               spewed from the pulpit.

She promulgates that ignorance and idleness  

                    cause vice.

 Celibacy holds her power; her love has 

                 been crucified. 

  Church men trampling on celestial wisdom, 

            she will not be swayed. 


Passionate advocate for women’s education, she sits behind a screen.


Elaborate butterfly place-setting, name hand-embroidered on baroque                                                           vestment cloth.

Thirty-nine invited to a feminist controversy, triangular reckoning, she was there.

       Judy found her, Dutch painter, engraver, classical scholar, poet, philosopher.

Iconic installation, fashioned to end an ongoing cycle of omission. Annie’s words resonate:

         “Hence it is that when reading historiographical works over long periods of time,  no more appears the traces of women than the traces of a ship in the sea.”


Passionate advocate for women’s education, she sits behind a screen.

































Subject| Anna Maria van Schurman 

Poetry Form | The Bop

Photo credit | Portrait by Jan Lievens 1649

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